![]() I managed to get my chance to get into VFX in 2004, when I faked a holiday in a different state to get an interview at Rising Sun Pictures. The more I investigated compositing, the more it seemed a good fit for me. Meetings, reports, and school politics made me stop and reassess my options. ![]() I loved the classroom but did not love the support work you need to do to teach. I studied to be a secondary school art teacher, and I quickly realized I loved teaching but was not a good fit for schools. I figured out that I am a visual problem solver, and it took me two careers before visual effects (VFX) to figure out that compositing was what I was looking for. SIGGRAPH: Briefly tell us about your career and current role at Wētā FX.īeck Veitch (BV): I always wanted to work in a field that challenged me. ![]() Compositing Supervisor Beck Veitch and Animation Supervisor Dennis Yoo presented their work to great accolades during a Production Session at SIGGRAPH 2022. Wētā FX’s work includes striking scenes in Gotham City, the Batmobile launching through flames in a chaotic car chase, and a novel approach to lensing and in-camera effects. “The Batman” is the 19th appearance of the Caped Crusader in film and, as such, director Matt Reeves needed to find a new angle for the titular hero.
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